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Things I Overheard While Talking to Myself Books
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 Rating: 5 out of 5 stars - Well worth reading, not quite up to Never Have Your Dog Stuffed
Alan Alda is an extraordinarily engaging writer, with a direct, smart, deceptively "effortless" style that reminds me of Isaac Asimov. I greatly enjoyed this book, although not quite as much as his first memoir, for the technical writing reason I describe below. I can't wait for the next one!

One caution: do not be confused by the odd Publishers Weekly review which suggests he has abandoned his lifelong political and personal philosophy. ("While poking good-natured fun at some of his earlier rhetoric (the ravings of a naïve Hollywood liberal)..."). That simply does not describe this book. I was concerned by the PW comment prior to reading the book, yet I didn't see a single sentence that suggests Alda thinks his past views were naive "ravings" (?). He notes that some protests in which he participated in the 1960s had no impact, but that's a comment on tactics, not political values.

The slight dissatisfaction I had with this book was, I think, an inevitable outcome of Alda's idea of weaving in excerpts from (mostly very good) speeches he's given -- which is, of course, the central framing conceit for this book. It's simply in the nature of things that excerpted pieces are never quite as appealing as new material. The old material, however good, always reads as "seconds." And there's just a bit of let-down each time as you have to shift gears from the natural flow of the book to the different rhythm of the excerpt, then back again.

Fortunately, the excerpts woven into this narrative are jumping-off points and comprise a relatively small percent of the words, so this is a minor dissatisfaction and not a major one. And, despite the inherent drawbacks of this approach, Alda does a superb job trying to weave in these excerpts, explaining his thinking, creative process, and anxiety in writing the speeches in a fascinating "behind the scenes" way. He is such a skilled, hard-working writer that he actually pulls this off most, but not all, of the time.

The less successful, more generic speech excerpts (for me) are near the beginning of the book. They get better as the book proceeds, perhaps because he has gotten better over time at writing attention-getting, highly unusual, thoughtful speeches.

Perhaps Alda felt he had "already written" his autobiography and had to do something really different to justify a second book. While that may seem logical, there's really no rule that an author can only write one memoir. The notion of writing a second (or even a third or fourth) autobiography never stopped Frederick Douglass, Isaac Asimov, David Niven, Laurence Olivier, or Leonard Nimoy, to name a few "multi-memoirist" authors I've enjoyed.

To go back where I started, I loved Alda's first book, loved this one almost as much, and eagerly await his next. These are lasting contributions to any home bookshelf.



Rating: 5 out of 5 stars - Great book
I've enjoyed reading about Alan Alda's life. I didn't realize how enlightening and funny he is, much like his Hawkeye character.



Rating: 5 out of 5 stars - Authors of "Anchors Aweight" subscibe to same philosophy
A very illuminating and helpful account of what it takes to be successful, enjoy, and help others through the trip we call life. "Anchors Aweight" is not too disimilar in passing along the same message, but its delivery is very different!



Rating: 5 out of 5 stars - Title
Haven't had a chance to read the book yet, but this has got to be the best title ever for a memoir/autobiography.



Rating: 5 out of 5 stars - The meaning of life and a smooth storytelling style
Nearly dying from an intestinal blockage in 2003 had a profound effect on Alan Alda. It brought him a second life and, with it, a first book, his bestselling memoir Never Have Your Dog Stuffed (see my review), published in 2005. Happily, Alda's appetite for introspection, intensified by his near-death experience, was not satisfied by the one foray into autobiography. He was moved to write Things I Overheard While Talking to Myself as a means of answering a question that had begun pricking at him. After leaving death behind in a Chilean hospital, along with three feet of intestine, Alda began to wonder whether he had lived a meaningful life and to ask himself, more generally, what constitutes a meaningful life.

The title of Alda's book alludes to the approach he adopted in trying to come up with an answer to that question. Alda dug up speeches he had delivered on various occasions over the years, talks which he'd attempted to infuse with some wisdom pertinent to the occasion. Many of these speeches were delivered at commencement ceremonies, but Alda also talked to historians at Monticello and to psychiatrists at Cornell. He spoke at a ceremony honoring Simon Wiesenthal. He delivered eulogies for Ozzie Davis and Peter Jennings and Anne Bancroft. He spoke over the grave of his grandchildren's dead rabbit.

Alda structures the book around excerpted passages from these speeches, but Things I Overheard While Talking to Myself is by no means wholly or even primarily a collection of excerpts. Rather, Alda uses the excerpts as writing prompts, wrapping stories from his life around them. In one chapter, for example, Alda excerpts passages from a talk he delivered at Emerson College in 1977 on the subject of living up to one's values. He seamlessly weaves a handful of stories around the quotes--the author being slapped as a four-year-old for off-color humor and upstaged by a quarterback a decade later; picket lines and cigarette ads and Bert Convy's heroics. As we saw in his first book, Alda has a smooth storytelling style that transports the reader. Once he begins on a reminiscence--traveling on the Orient Express, meeting his agent, biting his mother's watch--the pages turn themselves.

Insofar as they interrupt the flow of the narrative, Alda's excerpted speeches--if arguably the raison d'être of the book--are actually its weakest part. One feels less of a connection with the author when reading them, perhaps because we are not in fact their intended audience: he didn't write the speeches for us, after all, but for a specific audience on a specific occasion.

What, then, makes for a meaningful life? Alda has found his answer, and it's unlikely to surprise readers unless they're living the life of Lindsay Lohan. But arriving at the answer will surely not be the point for most of us. As in life, so with a good book: it's the going, not the getting there that's good.*

-- Debra Hamel

*Phrase borrowed from Harry Chapin's Greyhound.



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