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Rating:  -
I had a few hours in between flights this Thanksgiving and brought this along. It's considerably deeper than your typical airport reads, though since it's a play you can finish it quickly.
Bolt does an outstanding job in the Preface talking about his motivation, his direction for the character and persona of Sir Thomas More. What's most interesting I think is how he handles the character development. I won't ruin it for you, but I think it needs to be said that this is not the story of a man changing because of events but almost the inverse.
Language is very easy to read and understand, though some passages will certainly benefit from rereading just to consider what the message is, what Bolt is trying to get across. I loved the book and would love to see an adaptation of it.
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From biblical times to the present, it is evident that power corrupts those in charge. One of the landmark examples of this in history is Henry VIII's murder of Sir Thomas More. Truly if you are not with the powers that be, you are against them.
Henry VIII's attempts to dissolve his marriage on account of his wife's inability to bear him a son, falls on deaf eyes in Rome. Even while the pope will not allow divorce, Henry hopes his loyal subject Thomas More will condone it. Sir Thomas More's silence is deafening to the king. Unable to stand the silence of this influential, the king's servants drum up charges to treason to rid the king of his problem. During this process, we see a man growing from a lawyer to a saint. He will not place the sovereignty of God behind the king.
I would give this story 4 1/2 stars because it sacrifices too much of Thomas More for literary purposes. This is bothersome because of the initial slow pace of the story. Still Robert Bolt does a commendable job telling this story of integrity and allegiance to God.
Rating:  -
A wonderful and dramatic companion to the Selected Writings of Saint Thomas More, Robert Bolt's A Man For All Seasons is a superb piece of literary drama, because it makes More's own writings, specifically The Sadness of Christ, come to vivid life. Christ's sadness and More's understanding of our Savior's heavyheartedness unto death, by way of the play, presents a reliable and honest portrait of Thomas More the man and the saintly holiness of his unyielding commitment to the Truth in him, for Christ who is in us is apart of us. And in the play, on page 121, More lets that very fact be made known that his faith is an integral slice to his very identity, his being. It is distinct, especially when he responds to Norfolk upon being strongly advised to give in and submit to King Henry VIII's oath to the Act of Succession, whereby the king is viwed as the Supreme Head of the English Church which incorrectly overrides the authority of the Vatican: "I can't give in, Howard. You might as well advise a man to change the color of his eyes..." Strictly adhereing to a commitment, especially a religious one, can, in of itself, be a cross, because it implies so many different things, not just a physical suffering, but it includes doubt, torturous mental anguish and unthinkable sacrifices of the most terrifying sort. Are the actions that lead to a particular moment in one's life a mere social-political-philosophical stance or a divine offering of the most extreme sort to test that human love for God? In A Man For All Seasons, More's response to his son-in-law, Roper on page 126 is thus: "Now listen, Will. And Meg, you listen, too, you know I know you well. God made the angels to show him splendor-as he made animals for innocence and plants for their simplicity. But Man he made to serve him wittily, in the tangle of his mind! If he suffers us to fall to such a case that there is no escaping, then we may stand to our tackle like champions...if we have the spittle for it. And no doubt it delights God to see splendor where He only looked for complexity. But it's God's part, not our own, to bring ourselves to that extremity! Our natural business lies in escaping-so let's get home and study this bill." For the majority of us, we do not have the 'spittle' as More describes, because pragmatic intellectualism is easier to subscribe to than divine bondage and empyrean love. And when one accepts the latter, as More ultimately does, he is punished for it, first with a stripping away of his title and affluence, then with imprisionment and separation from his family: "Content? If they'd open a crack that wide, I'd be through it." Pg 141. Like Jesus Christ, whom More felt in him all along, he too suffered and felt sadness unto death. A Man For All Seasons is a riviting play, one that makes you take a closer look at the meaning of commitment and what it entails. Like Peter, after reading this play, I would definately say that Thomas More was a contributing rock to the foundation of the Church.
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I definitely recommend this play detailing the struggle between St. Thomas More and King Henry VIII. It asks the important question: "How long can a man's conscience hold up against constant outside allurements and pressures?"
It is a good quick read (3 hours at most).
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This is one of my favourite books.
I have read a few of the 'bad' reviews of the book - one that commented on its historical 'correctness'. The story of Moore was just one aspect to the play (I felt anyway), the common man who appears throughout the play is supposed to remind us of ourselves. The common man is quite confronting as the character reminds us of our own need for self-preservation above all else. Reading the book made me a little less critical of other people of present times and past, as I am no longer certain that I wouldn't act the same way if given the same circumstances.
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