Poster Shopping Mall

Poster Subjects 
Main Menu

Abstract
Animals
Architecture
Artists
Astronomy & Space
Botanical
Cars
Christianity
Comic Book
Cuisine
Education
Fantasy
Holidays
Home & Hearth
Humor
Maps
Movies
Music
Patriotic
People
Places
Scenic
Sports
Still Life
Television
Transportation
Vintage
World Culture
Youth

Funny Pics and Poster Parodies

 
 

Gifts and Collectibles

other great Links

 

High Sierra (Snap Case) Posters Photos Art
Search for Posters Art Prints, photos and get results from all the many categories from Amazon including books, videos, dvds, toys, video games, and more.  

Posters Art Prints Photos collectables

If for some reason you can't find what the poster or art print your looking for try using the search boxes below

Find Movie Posters at MovieGoodsMovieGoods


High Sierra (Snap Case) DVD
Amazon Products

In association with Amazon.com

 


List Price: $19.98
Price: $2.97
You Save: $17.01 (85%)
Prices subject to change.



Availability: Usually ships in 1-2 business days

Buy Now!



Aspect Ratio: 1.33:1
Audience Rating: NR (Not Rated)
Binding: DVD
EAN: 9780790747163
Format: Black & White, Closed-captioned, DVD-Video, Subtitled, NTSC
ISBN: 0790747162
Label: Warner Home Video
Manufacturer: Warner Home Video
Number Of Items: 1
Publisher: Warner Home Video
Region Code: 1
Release Date: November 04, 2003
Running Time: 101 minutes
Sales Rank: 33715
Studio: Warner Home Video
Theatrical Release Date: January 25, 1941




Related Items: Browse for similar items by category:


Editorial Review:

Description:
Humphrey Bogart and Ida Lupino star in this tragic study of an American gangster whose hard-boiled persona finds itself at war with his compassionate side--a side that will ultimately be his downfall.

Amazon.com:
This 1941 melodrama is memorable for both its strong central performances and their intimations of how the previous decade's crime dramas would evolve into film noir--no accident, given the solid direction of veteran Raoul Walsh and the hand of screenwriter John Huston, who teamed with the author of its novelistic source, W.R. Burnett (Little Caesar). In the central character of Roy "Mad Dog" Earle, a fictional peer to John Dillinger, Humphrey Bogart finds a defining role that anticipates the underlying fatalism and moral ambiguity visible in the career-making roles soon to follow, including Sam Spade in Huston's directorial debut, The Maltese Falcon.

Earle suggests a prescient variation on the enraged sociopaths that were fixtures of the gangster melodramas that shaped Bogart's early screen image. Pardoned from a long prison stretch, the weary robber is clearly more eager to savor his new freedom than immediately swing back into action. But his early release has been engineered by a mobster who wants Earle to pull off a high-stakes burglary, setting in motion a plot that is a prototype for doomed-heist capers--a small, yet potent subgenre that would later include Huston's The Asphalt Jungle and Stanley Kubrick's The Killing.

What gives High Sierra its power, however, isn't the crime itself but Earle's collision with the younger, brasher confederates picked to help him, and the hard-edged but vulnerable taxi dancer they're competing for, played forcefully by Ida Lupino, who actually received top billing. Her attraction to the reluctant Earle is complicated by a convoluted subplot designed to showcase then starlet Joan Leslie, but the movie finally moves into its most gripping moments when the wounded Earle, pursued by police, flees ever higher toward the mountains. His final, suicidal showdown would become a cliché of sorts in lesser films, but here it provides a wrenching climax sealed by Lupino's vivid final scene. --Sam Sutherland



Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - "CLASSIC CRIME DRAMA"
Roy Earle is released from prison and is preparing for his final heist. Screenplay by,W.R.Bernett&
John Houston. Directer;Raoul Walch. Lupino&bogart with a great cast. I call this movie;Sympathy
for the criminal film. (You're brought into their world.) This is a well crafted movie from the
40's.
The most subtle scene is,Bogart at the cigaret counter.
Check my review of;"I died a 1000 times."(remake.)
Extra's:Interviews,which includes Joan Leslie. Trailers,etc.



Rating: 5 out of 5 stars - The film that made a star out of Bogart...and his dog, too!
"High Sierra" is an important film in many ways. It was the bridge between 1930's gangster movies and 1940's film noir. It was the first instance of the romantic, sympathetic criminal. It was also the pivotal movie of Bogart's career. It was the first time the studio's publicity department promoted him as a "star" and the last time he didn't receive top billing in a film. He deserved the attention he received for pulling off the character of Roy "Mad Dog" Earle; he was able to make this Dillinger ... Read More



Rating: 5 out of 5 stars - One of Bogarts best.
I had seen this movie on TV enough, that I decided to go ahead and buy this DVD. It's a wonderful addition to my movie collection.

The DVD is beautiful, very nice transfer. Movie itself is wonderful, full of intrigue and the last few minutes of the movie are wonderful.

All the preformances are spectacular. This is one of Bogart's best movies, Dark Passage is another wonderful Bogart film. Ida Lupino, Arthur Kennedy add to the richness of the picture. I recommend buying this DVD.



Rating: 5 out of 5 stars - High Sierra
Though the forties saw a waning in gangster pictures, early on Bogart was given a juicy breakout role in Walsh's "High Sierra", as a killer with a compassionate side. Bogart's "Mad Dog" Earle is more Dillinger than Capone, more sympathetic and human, but when threatened, still a scary individual. Young Lupino stands out as Earle's loyal protector who can't win his love. Co-written by a young John Huston, "High Sierra" is a solid, flavorful entry for "Bogie-as-bad-guy" fans, boasting a slam-bang finish.



Rating: 4 out of 5 stars - A Nice Transition from Gangster to Noir
Firstly, I think Koehler's review is largely spot on in its criticism of this movie. The blatant racism made me cringe several times (thankfully, though, the filmmakers had enough taste not to use a white man in black paint), the sleep-talking scene does seem like a cop-out, and the dog is too explicitly a vehicle for fate. On top of that, I'll add that some key moves in the end are hard to understand--why did Earl give all the money to Marie? Why did he subsequently rob a store without filling up with gas ... Read More





 



Search:

 

Find your favorite art:

barewalls.com