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List Price: $65.00Amazon.com's Price: $40.95 You Save: $24.05 (37%)Prices subject to change.
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Binding: Hardcover
Dewey Decimal Number: 759.13
EAN: 9780878467129
ISBN: 0878467122
Label: MFA Publications
Manufacturer: MFA Publications
Number Of Items: 1
Number Of Pages: 288
Publication Date: June 01, 2007
Publisher: MFA Publications
Release Date: June 01, 2007
Sales Rank: 62193
Studio: MFA Publications
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Editorial Review:
Product Description: One of the most enduringly popular painters of the twentieth century, Edward Hopper produced many works now considered icons of Modern art. Canvases such as Drugstore, New York Movie, and the universally recognized (and often parodied) Nighthawks not only reshaped what painting looked like in America, but created a visual language for middle-class life and its discontents. This extensive new assessment of Hopper, which accompanies a major traveling exhibition, examines the dynamics of the artist's creative process and discusses his work within the cultural currents of his day--examining the influence not only of other painters, but also of such media as literature and film. And while most studies have tended to see Hopper as the great painter of alienation, this one takes a much broader, more nuanced, and ultimately more representative view. Spanning the entirety of Hopper's career, but with particular emphasis on his heyday in the 30s and 40s, Edward Hopper highlights the artist's greatest achievements while discussing such topics as his absorption of European influences, critical reactions to his work, the relation of Realism to Modernism, the artist's fascination with architecture, his depiction of women, and the struggle in his last years to produce original works. Illustrated with over 150 oils, watercolors and prints, and including essays by several noted scholars in the field and an extensive chronology and bibliography, this is the most comprehensive volume on Hopper produced in the last decade.
Average Rating: 
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A pre-New Deal Republican, the quintaessential American painter, the painter of the Anglo-Saxon mood. I always liked Hopper's style without knowing why. After reading this book -and enjoying its beautifully binding quality, I like him even better.
His uncompromising confidence in his own art, his unbending individualism, his unashamed faith in the Anglo-Saxon quality of America, that which America-haters like to pinpoint most, all make him an icon of Americannes.
He was ... Read More
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Wonderfully presented book of a great artist. Personal and career information is contained in a nice format. Art is described in the context of the time and the artist - his influences, the influences of the time.
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The book was published on the occasion of the exhibition: "Edward Hopper", organised by the Museum of Fine Arts, Boston; the National Gallery of Art, Washington, DC; and the Art Institute of Chicago, 2007-2008. It comprises a series of nine essays by different writers, and concludes with Notes, a Chronology, a Checklist and Figure Illustrations and a Selected Bibliography.
This is a handsome volume large in size and almost square in format, illustrated throughout predominately in colour. ... Read More
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One of the highlights of my summer was attending the Hopper exhibition at Boston's Museum of Fine Arts, for which this volume (published by the MFA) was the companion text. At 288 pages, mostly filled with suberb reproductions of Hopper's paintings and sketches, this volume is comprehensive enough for even the most devoted Hopper fan. Perhaps only Gail Levin's "Catalogue Raisonne" offers a more comprehensive look at the artist. No matter how many art books you may own, clear a spot on your shelf or ... Read More
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Edward HopperThis book is a great presentation of the outstanding Hopper exhibit at the MFA/Boston. Well worth seeing.
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